Russian Avant-Garde

Kazimir Malevich, From Cubism and Futurism to Suprematism: The New Realism in Painting (1915) →

“I have transformed myself in the zero of form and have fished myself out of the rubbishy slough of academic art.

I have destroyed the ring of the horizon and got out of the circle of objects, the horizon ring that has imprisoned the artist and the forms of nature.

This accursed ring, by continually revealing novelty after novelty, leads the artist away from the aim of destruction. And only cowardly consciousness and insolvency of creative power in an artist yield to this deception and establish their art on the forms of nature, afraid of losing the foundation on which the savage and the academy have based their art.

To produce favorite objects and little nooks of nature is just like a thief being enraptured by his shackled legs.

Only dull and impotent artists veil their work with sincerity. Art requires truth, not sincerity.”


Kazimir Malevich, The Question of Imitative Art (1920) →

“It is necessary to consciously place creativity as the aim of life, as the perfection of oneself, and therefore current views on art must be changed: art is not a picture of pleasures, decoration, mood, experience or the conveyance of beautiful nature. This type of art no longer exists; nor do jesters, dancers and other miscellaneous theatrical grimacers (these monkeyish grimaces have also come to an end). There has appeared a silent, dynamic creation of new art’s edifice in the red image of the world.”